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Adapted to sound like a contemporary news broadcast, it caused a number of listeners to panic. In the mid-1930s, his New York theatre adaptations of Macbeth and a contemporary allegorical Julius Caesar became legendary. During this period he became a serious political activist and commentator through journalism, radio and public appearances closely associated with Franklin D. G. Critical appreciation for Welles has increased since his death. He is now widely acknowledged as one of the most important dramatic artists of the 20th century: in 2002 he was voted as the greatest film director of all time in the British Film Institute's poll of Top Ten Directors. Despite these difficulties Othello won the 1952 Grand Prix du Festival International du Film at the Cannes Film Festival and Touch of Evil won the top prize at the Brussels World Fair, while Welles himself considered The Trial and Chimes at Midnight to be the best of his efforts. The rest of his career was often obstructed by lack of funds, incompetent studio interference and other unfortunate occurrences, both during exile in Europe and brief returns to Hollywood. Welles was also an accomplished magician, starring in troop variety spectacles in the war years. Welles received a 1975 American Film Institute Lifetime
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